Arranca fuerte, cine negro puro y duro de lo más canónico. Pero mediada la película y cuando cambia el decorado urbano por el rural; las atmósferas oscuras y opresivas por el aire puro y luminoso; la desesperación y el hastío por la redención y la esperanza; las putillas de barrio por la moralizante ciega... la historia se me cae bastante. Hasta la música de Herrmann me ha parecido excesiva, demasiado protagonista.
Herrmann delivers an incredibly memorable score. Ryan, who is just so good so often, as a sadistic cop has some real menacing moments.The pioneering use of handheld cameras to give this one a feel like the audience is really in the film, makes this an easy film to recommend to any noir lover, or someone delving into the sometimes under appreciated career of Nicholas Ray.
"Desire" list: In the more Griffith-like Nicholas Ray movie, where the wonderful Ida Lupino approaches, in pathos and acting, the one by Lillian Gish in "Way Down East", which means the highest state of poeticity, Robert Ryan, plays one of his most fragile characters, that becomes him so well, is almost like an unavoidable figuration of the actor persona, who forever i will remember with this beautiful inconstancy.
This is one of my favorite films. Wilson is an early version of Dirty Harry but Wilson is made more complex than D. Harry. Great score by Bernie and cinematography. According to sources RKO (H. Hughes etc.) forced the ending on this. Nic did not like it (again sources). I love it. When Ida Lupino and Robert Ryan touch hands...
Pugilistic, emotionally dead city cop Jim Wilson (Ryan) is reborn on an assignment in the snowy wilderness by his encounter with blind Mary Malden (Lupino). Beautifully judged by the great Nick Ray, with fine performances from the leads and a piquent score by Herrmann. But the key thing is that it is probably as close as cinema will ever get to the redemptive joy of Dostoyevsky, or the Tolstoy of "Resurrection".
"Sometimes people who are never alone are the loneliest." Like N. Ray's other noir masterwork 'In a Lonely Place', Bogart in that picture along with Robert Ryan's character in this one are both men who are skilled at their professions, yet plagued with inner demons. In this, all central males have tendancies for violence, whether it be Wilson's cynicism, the father's need for justice, or Danny's mental instability.
What's the definition of a classic? A story in which nothing needs to be added or subtracted. This melancholy winter mood piece showcases Robert Ryan's finest performance as a bitter, cynical cop, Ida Lupino's touching portrayal of a lonely blind woman, and Bernard Herrmann's passionate score (his own personal favorite of his career.) Easily Nick Ray's greatest film.