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Sally Potter United Kingdom, 1992

Richmond Hill's rating of the film Orlando

Potter's suitably irreverent masque is a thoroughly decent attempt to film a tricky novel capturing its less than cinematic themes of transcendentalism and immortality, together with the easier - and now drearily contemporary - topic of identity (the film is no doubt due a pert revival on that score alone). Swinton's gamine androgyny is put to early good use.