Every scene is fragmented, jolting between breathlessly canted angles, intense close-ups and deep-focus long shots soaked in oppressive shadow. There's anxiety even in broad daylight, as seen in a tense murder sequence set in a Turkish bath, conceived on the fly when costumes failed to arrive. Welles's blood, sweat and tears are fully evident in each frame, and the movie won him a deserved prize at Cannes upon its initial release.
Keith Uhlich
April 22, 2014