4.5 La parte más álgida y más experimental de esta monumental obra, revela conspiraciones adicionales y concluye en el absurdo, en la nada, en la realidad que continúa. Nunca vimos a Igor ni a Pierre, mas su presencia pesa a lo largo de toda la obra. ¿Existen las sociedades secretas en la vida real? ¿Podría este proyecto ser más corto? Tal vez (pero, respondiendo a la segunda pregunta, le haría perder su encanto).
Despite its cryptic maze of encounters, taking place now outside the play rehearsals and the catharses wrought there under the safety-net of classical tragedies, Rivette's culmination of the implosion of group-life and its revolutionary projects yields moments of rare formal and visual beauty (the blue/green rooms/the mirror spirals) ending, theologically, in three (visual) recoveries of orthopedia's class polemics.
Half-expecting someone at the very end of this to ask à la Twin Peaks, "What year is it?" A shaggy-dog story, though not the best I've ever heard. The end of our two drifters really touched me; the theater troupes, I have to admit, I could still not give less of a shit about.
Out 1 has a little of everything that was great about the french new wave and probably everything bad about it as well. hard to say given the film is almost 50 years old, but i hope the theatre troupe scenes were meant to be mocking the directionless of politics groups and artists bc that shit was excruciating and comical.
These last two episodes sound very improvised, as if they were written on the spot by the actors, in place of the writer/director (maybe the whole film was shot this way and I’m realizing it just now?). The actors seem to define on their own the trajectories both of their characters and of the story. If that's the case, it's a totally crazy experiment.
After watching the entire film over a four day period, I can conclude that it was definitely an enjoyable experience and one I am happy I had the opportunity for. A very challenging and demanding watch that is also tremendously rewarding; the holy grail of anti-cinema, as well as the French New Wave.
The most "intense" and varied episodes; they serve as a satisfying closure, great subtle humour, powerful scenes, some of which are genuinely eery and mysterious, surreal at times. Overall: a truly unique, interesting experience. Challenging? absolutely yes, but I'd say it's worth it. Not perfect - true, but it has left a lasting impression and has definitely grown on me, for that alone 5/5.
Spectacular film. I read there is a short 4 hour version - so let's see that MUBI! Please? Big Brother without the flatulence : ) Reminds me of Victoria - the film made recently in one take. (not sure why!) Mesmerising. 70's Paris as if it was literally yesterday. Or tomorrow. Timeless. Etc! As two characters say near the end 'it is easy to be cynical but hard to create something..'
At least now no one can tell me that the reason I don't like this film is because I haven't seen it in its entirety. I have, I've watched it from beginning to end. This is one of the most atrocious films ever made. It's boring, conceited, pompous, and unbearably pretentious.
This film’s structure is a spiral which tightens on itself or spreads out depending on the point of view - being both sprawling and intimate. Ironically it takes time to shake off the dictatorship of time. Is it this first steps in the direction of a new cinematic realism where performance reveals what’s hidden and unifies, and life steps up as a performance of lies, games and half truths where nothing can be known?
I actually really enjoyed these last two episodes, in a kind of 'French film where people talk a lot and not much happens' kind-of-way. Totally unsure about the near-sadistic pre-amble of the first few episodes, though. Overall, file-under 'The Emperor's New(Wave) Clothes'.
I joined MUBI precisely to watch this, as I've wanted to see it for so many years, and missed a recent rare screening. Not sure what I think in the end: I do like the spirit, the tone, the world; there are lovely and memorable and striking scenes, especially later, but the extraordinary drawn-out quality of many scenes baffles me: what exactly is it achieving when your pulse has already nearly stopped?
Now that everything is said and done, the mysteries made somewhat clear and the labyrinth-like passages connected, what I will remember the most are the characters and their relationships, mannerisms and behavior. They are what kept me engaged through the 13 hours, and they are what I will take with me now that it's over.