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Ratings & Reviews

  1. nrh's rating of the film Outlaws

    taking the most important (not the most noticeable) aesthetics of DOUBLE SUICIDE to the breaking point, shinoda takes a shuji teriyama work (this is q must for PASTORAL fans) and runs it through the wringer of late '60s technique and pre-modern theatrical modes. if the center of film artifice is theater, this may be the most theorized approach before rivette. also very funny and it moves like a freight train