Young Paula lives and works at the pile of a middle-class family caring for their children. Her life takes an unexpected turn on discovering that she’s pregnant by a young man who refuses to accept his fatherhood.
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Is inevitable to compare this film with Martel's "La Ciénaga", by its extreme familiarity with characters, rhythms, look and suspended time. It's a proximity somewhat discreet and modest by its much smaller discursive ability and style retention. But it would be unfair not to recognize a fair approach between camera and actors and in this relation the existence of an adequate density, that imposes itself.