Beautiful, interesting, incredible cinema.
Like a world seen in sleep the treated footage in Solomon Nagler’s perhaps/We follows a cycle, with motifs of the ever-present twilight in a steel-blue Warsaw set against what could be archive footage, of an old woman asleep on a day-bed and an overgrown, forgotten Jewish Cemetery.
Like a world seen in sleep the treated footage in Solomon Nagler’s perhaps/We follows a cycle, with motifs of the ever-present twilight in a steel-blue Warsaw set against what could be archive footage, of an old woman asleep on a day-bed and an overgrown, forgotten Jewish Cemetery.