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Ratings & Reviews

  1. FISCHER's rating of the film Rabid

    Une bienvenue plongée dans l'horreur absolue, version Cronenberg...

  2. En Sangers Bøn's rating of the film Rabid

    One of my favorites by Cronenberg. A bit dated but super grimy, sick and deadly atmospheric one. I like how Cronenberg usually mixes horror realism and a critical vision of what post-humanity could be.

  3. Johnny Seeker's rating of the film Rabid

    Canadian films are weird! David Cronenberg is weird!

  4. Rocco's rating of the film Rabid

    A sub-par zombie flick starring a pornographic actress equipped with a murderous armpit orifice...which sounds much more fun than it is. Far and away from Cronenberg's best.

  5. Il secondo maestro del revolver's rating of the film Rabid

  6. Janae's rating of the film Rabid

    Who can never be sure.

  7. Ozu_Teapot's rating of the film Rabid

  8. AdrianM.'s rating of the film Rabid

    that's some weird looking pussy

  9. Fabio Osvaldo Carta's rating of the film Rabid

  10. Dogukan4Ever's rating of the film Rabid

    1977, dir. DAVID CRONENBERG - 6/10 (Canada)

  11. Domenico Nicoletti's rating of the film Rabid

    A differenza di Shiver, Cronenberg in Rabid muove la camera, il terrore visivo aumenta e con esso anche il rapporto tra i personaggi. Una fotografia fredda statica e delle volte molto sporca che racconta il vissuto del film. I protagonisti che vengono separati all'inizio del film rappresentano una scissione di una società e di una borghesia malata.

  12. peaches and plums's rating of the film Rabid

    that lady on the subway = me when i hit on boys

  13. dave gunn's rating of the film Rabid

    The armpit butthole penis claw was disgusting and the main characters' screaming fits were hilarious. This was one of the more fun additions to the epidemic/zombie genre.

  14. Log Lady's rating of the film Rabid

    Deals with similar themes than Shivers, but this is by far the more boring of the two. Not a bad effort, but could have been more inventive with a better pace. Plenty of silent ominous moments, beautiful colours, and stylish cinematography, though.

  15. Pymo's rating of the film Rabid

  16. Daniel S.'s rating of the film Rabid

    More pessimistic than Shivers. Like Romero, Cronenberg uses the living dead theme to develop his own thoughts about societal problems. Recommended.

  17. horsesholidayclub's rating of the film Rabid

    so so bad but also so hard not to love it

  18. Patricia's rating of the film Rabid

  19. scrocha's rating of the film Rabid

    Chambers was found dead in her home near Santa Clarita, California on April 12, 2009. The coroner's autopsy revealed that Chambers died of a cerebral hemorrhage and an aneurysm related to heart disease.

  20. Ben.'s rating of the film Rabid

    Perhaps living with rabid zombies is better than with the plastic ones that create themselves?

  21. Billy Casper's World's rating of the film Rabid

    Despite the poor acting this is by far the most profound and definitive Cronenberg film.

  22. Federico Di Folco's rating of the film Rabid

    Un Cronenberg prima maniera,con la solita immensa sensazione di disagio che mette addosso quando si osservano le sue pellicole. Rabid è una conferma,una storia di non meglio imprecisati zombi o vampiri o cannibali in cui però l'obiettivo è andare oltre,porre interrogativi sul genere umano e la sua logica o la sua irrazionalità. Regia iper-solida e freddissima,con un finale stupendo. Cronenberg è davvero OLTRE.4*

  23. Fabio Di Felice's rating of the film Rabid

    Strepitoso Cronenberg che senza abbandonare la sua poetica del body horror realizza un film violentissimo, disgustoso e che riesce a essere una delle migliori storie di zombie (o vampiri) senza effettivamente essere una storia di zombie.

  24. Matthew Martens's rating of the film Rabid

    Let the dread truth be told: morphogenetic neutrality is a lie! Of course, the news has come too late, the plague's work is complete, and putting Marilyn Chambers out with the trash is a merely symbolic gesture. Connections among putative self-improvement through science, sexual license, and the accidental unleashing of dark forces "from within," so typical of early Cronenberg, are drawn here with frothing ferocity.

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