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Ratings & Reviews

  1. Marcelo Fornari's rating of the film RoboCop

  2. Jason's rating of the film RoboCop

    Now celebrating its thirtieth anniversary, ROBOCOP would seem all the more prescient in terms of its positing of a world reigned over by an increasingly militarized and privatized military-industrial security complex. Verhoeven enjoys taking the piss out of the people who are basically paying to get what they want. This is high-minded mockery, obviously for the most part over the heads of its targets. Still: funny.

  3. Richmond Hill's rating of the film RoboCop

    Stridently confident visual storytelling, unencumbered by unnecessary narrative bridges just a gutsily simple satire on American gung-ho ballsiness. It's this quality that lifts it above the contemporary 'SchwarzenStone' runarounds of the day, and like the proverbial bull it runs amok amongst it's media and corporatist soft targets like a splendidly unsubtle take on Frankenstein's Monster.

  4. Renton47's rating of the film RoboCop

    Robocop is in my DNA, viewed too often, too young. Masochist relationship with aestheticised violence, genre that functions in and above its form. The Cyborg Manifesto. Does the experiment fail because we can't separate man from machine or because we try? Schlockier than remembered, but nothing purifying in its violence, no redemption in renouncing flesh.

  5. spasmolytic's rating of the film RoboCop

    Like an 80's cyberpunk Troma film directed by Tarkovsky. Minus one star for the laughable CGI at the end.

  6. εξώτερο Διάστημα's rating of the film RoboCop

    Contrary to J-L Nancy's reflection in "L'Intrus" on the intrusion on thought of a body foreign to thought, RoboCop spotlights the intrusion on body of thoughts foreign to body. And parallels between Nancy's and Verhoeven's restitutiones ad integrum run free: crossing personal and technological contingencies which in the graftee operate the metaphysical adventure of post-death experience, the vacillating, montage "I",

  7. Star Lord's rating of the film RoboCop

  8. Kelvin Thompson's rating of the film RoboCop

    I think its exposures of the media, police, and corporate warlords are mostly valid, but I have serious reservations about its solutions. This is a film clearly operating from the perspective that the world is corrupted by blurred lines between the police, corporations, and the media to such an extent that violence is the best recourse for cleaning it up. On the other hand, the movie fits together really well.

  9. Muraki's rating of the film RoboCop

  10. Elia Canevascini's rating of the film RoboCop

    Bello bello bello Colonna sonora epica

  11. PAST, A NONSTOP OPEN MALL's rating of the film RoboCop

    Kudos for staging. Exterior scenes and lighting are satisfying, too. Unbelievably cheesy ending along with dated commercials through the course of the film messed the whole impression up though.

  12. Blumes's rating of the film RoboCop

    Great stop-motion with the robot and beautifully awful stop-motion with the fall

  13. Tim Ellrich's rating of the film RoboCop

  14. bernardovazdecastro's rating of the film RoboCop

    You are already see plenty of elements that after Verhoeven will use in one of is master pieces, "Straship Troopers". Still, you easily find it too, plenty of bad taste elements that reminds you the initial work. So Robocop is symbolic figure to characterize his work, between the excessive kitsch from the past and is new appearance, more clean in is approach of the new medium (his cinema and the television parody).

  15. Thomas Dods's rating of the film RoboCop

    Great action film and great American satire. Verhoeven at the top of his game. Have grown up with this film and appreciate more and more

  16. Johnny Mislow's rating of the film RoboCop

    Nostalgic! This is where my love for cyber-punk came from. So bloody

  17. Raymond Likes Subtitles's rating of the film RoboCop

    Not the classic I remember but still a good film.

  18. Thomas O'Neill's rating of the film RoboCop

    It's a well-crafted movie, but I'm not a fan of the plot or the setting.

  19. Ethan's rating of the film RoboCop

    This is a classic of science fiction cinema. Paul Verhoeven brings us a delightful display of shameless, gore, sex, and violence in this futuristic gem that did not need a remake because the sequels sucked too. Nothing can top the original, sometimes you can't catch lightning in a bottle more than once.

  20. Mariana Basílio's rating of the film RoboCop

  21. Jim Fear's rating of the film RoboCop

    So gory and noir, one of my childhood's nightmarish films.

  22. Maudy Puteri Agusdina's rating of the film RoboCop

    Robot with the most beautiful curvy lips.

  23. José Neves's rating of the film RoboCop

    re-rating. I'm not following Verhoeven's hype, but the opportunity to review or see his work in a movie theater has allowed me to update my relation with his films, including this initial experience in the North American industry. Inserted in one of the most creatives artistic movements of the 80's, the bionic body, a film that reinvents a political action cinema, turning it into an ironic cinema of in(ter)vention.

  24. Mark O. Stack's rating of the film RoboCop

    Just look at him when they pry that helmet off of him. His face? It's stretched over the front and practically stapled on. They took a corpse and turned it into a machine but the machine decided to be a man instead. Frank Miller must have been wilding out in the theater.

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