In these three arbitrary locations, we are presented with a past and future humanity trapped in a global simultaneity: one of ceremony, technology, melancholy, and revolution... Released in 1983 but "dated" only by the spectacular, well-documented use of an analog video synthesizer presumably "lost" to a history whose existence we can no longer accept, SANS SOLEIL will always be the film of the future.
Michael Castelle
March 14, 2008