Poor propaganda film that's as mediocre as a Kurosawa film can get with an extremely unsatisfying ending and some of the worst villains ever in a jidai-geki. Where the first and last fighting scenes of the first part were about as unconventional as could be, the opening and ending scenes of part II are just plain boring in their conventional long shot to medium shot cutting.
It says more about honor and eastern tradition in martial arts than the first one, and it features classic trademarks from Kurosawa's filmmaking style with some interesting nuances in certain scenes. I liked it better than Part One.
Could be interpreted as a propagandistic cautionary tale about the pernicious influence of western culture (keep in mind when this film was made). In the film, westerners are portrayed as coarse, loud, and aggressive. They enjoy boxing, a spectator sport in which "they let men fight like dogs or roosters." Compare this to Sugata, who dresses traditionally, practices judo, and is comparatively calm and reserved.
Fun to watch for symmetrical shots, nicely choreographed action and some zany characters that later show up in films like RAN (and KILL BILL.) However, this story has more topings than a deluxe pizza. Sanshiro almost floats through the rollercoaster of side stories, smiling at topics as they pass. Still in his experimental stage, Kurosawa did a lot with the opportunity he was given. Poor restoration by Criterion.
It shames me to say this, but if I hadn't watched this on 1.5x speed, I never would have made it through this movie. I could not believe how Part Two was worse than the original, simply because (like The Most Beautiful) it wears its didactic, propagandistic agenda on its sleeve. Whereas Part One was mildly entertaining, this was devoid of all of entertainment value.
Enjoyed it every bit as the first Sanshiro Sugata. This time the Western presence and influence in Japan is schematically portrayed in stereotypical fashion, yet it is rather the aggression of karate and the mass spectacle of boxing versus judo's that epitomizes the moral struggle here. The dawn of reconciliation is preceded by a dramatically intense confrontation depicted with the usual Kurosawa bravura.
The print that they transferred this from must have been in pretty rough shape. The story was great but the film ended abruptly, I thought there would have been some more closure. I still enjoyed it though.
Mildly entertaining but entirely propaganda-filled rehash of the original without any personal effort by Kurosawa. And not to mention the anticlimatic ending in the aftermath of the duel. It has its moments though.