quando teve todo aquele rolê do "novo cinema romeno" e depois virou tudo repetição do que parecia os mesmos atores fazendo as mesmas personagens, surge radu jude pra levar aquele realismo pra outro nível. a liberdade expressiva neste filme é incrível,
Lasst mich in Ruhe mit eurer Philosophiererei, hat sie gesagt und ist gegangen. Das viele Gerede geriet auch mir zu ausufernd, auch wenn es stets schön inszeniert war. Die Szenen, in den "etwas passierte" hingegen, die medizinischen Untersuchungen also oder die Unterfangen, eine liegende Person am Leben teilhaben zu lassen, waren wundervoll. (Wie hübsch liegende Menschen aussehen können!)
Radu Jude's latest film ('Aferim!', 'The Happiest Girl in the World') is a sobering and well realized tale about a young man suffering from spinal tuberculosis in a sanatorium in 30's Romania. Based on the work of Max Blecher the film would be a joyless affair without strong turns by newcomer Lucian Teodor Rus and especially Ivana Mladenovic ( a director in her own right) who potrays Solange. Well worth a watch.
Mubi described this film as melancholy, though the film certainly plays coy I found the film more affected than anything. It adds touches and homages to older films for the sake of having them in the film. The narrative is passable certainly, it is a sound premise and there are no fundamental flaws with the execution. The film still lacks the intangible value that can capture my imagination. Close, but not complete.
I'm still moved and deeply touched by this unexpected brilliant movie. I feel overwhelmed, as only one that experienced illness, physical suffering, absolute loneliness, forlorn hope and despair could be. A story about resilience and love, a fatherly one in the first place, but also a genuine desire toward the other sex. Poetry, in words and images, flows around offering moments of comfort and peace. Inevitable end.
I didn't find it the knockout so many claim it is. It's too long and the central romantic relationship isn't all that compelling or entirely convincing. But the way Jude so carefully orchestrates the frame with human activity is a pleasure to behold. And his staging of these broken and bandaged people fucking each other manages to be both erotic and heartbreaking, fleshing out the movie's metaphors to full affect.
The production design alone for this movie is magnificent. If it's tedious at times, that's because tedium is one of its subjects-- tedium and absurdity and despair, each moment as unremarkable as the next. The periodic intertitles show the twin banality and beauty of the life of the mind.
The power of this movie messed me up for a while. I found myself acutely aware of details in my ordinary tasks, such as the little noises my motions made as I did laundry & how it might look as I moved through the laundry room. This movie shoves reality in your face even as quotes from the author question existence. If medical procedures/environments and/or frank talk of illness disturb you, it'll get uncomfortable.
A pleasant surprise from Romanian cinema, Scarred Hearts is not another modern drama set in contemprary Romania or handling the on-going troubles of a post-communist country. Set in a sanatorium around the mid 30s, poet Manuel Blecher passes his days reciting, loving, and despairing in a heterotopic and existential crisis captured in Radu Jude's remarkable cinematography and rich settings.