Beautiful, interesting, incredible cinema.
Harry Fainlight appears to be an unwilling subject from the beginning, sitting in front of the camera with his eyes lowered and only occasionally glancing up, and when he does lift his gaze, he seems to avoid the camera’s eye. Later he suddenly gets up, walks toward the camera, and leaves the frame.
Harry Fainlight appears to be an unwilling subject from the beginning, sitting in front of the camera with his eyes lowered and only occasionally glancing up, and when he does lift his gaze, he seems to avoid the camera’s eye. Later he suddenly gets up, walks toward the camera, and leaves the frame.