if a director is really lucky they might achieve one masterpiece in their lifetime. This is Alex Cox's second brilliant, scattershot home run after "Repo Man." "Sid & Nancy" is the definitive punk biopic by virtue of not giving a shit about being a biopic. The film captures people living in a moment, living in the now, living for the high and living for each other. Cox serves up a heroin induced "Romeo and Juliet."
(3) Pretty good, and great cinematography from Roger Deakins, although some of the early scenes of Punks are a bit "Gizzard Puke" - John and Sid are so Punk they can't eat Baked Beans without them falling out of their mouths - and the ending is unnecessarily twee.
Punk and heroin make a dystopian combination. Forget John and Yoko, there was far more of a destructive connection between these two. Remarkable method performances that may seem hyperbolic, but in the infantile interpretations of anarchism with the Sex Pistols, this is pretty on the mark.
Chloe Webb wasn't annoying. Nancy Spungen was. That Webb wore the mask so well that people attacked her instead of Nancy for being unbearably histrionic (it's a personality type; it's not "over-acting") is testament to the greatness of her performance. But, really, Nancy was fucking awful. Good riddance.
Gary Oldman is spectacular here. What a wonderful actor he is. Interestingly enough, I really had high expectations of Chloe Webb since when the movie came out, it was she the one who got awards recognition and not Oldman, and yet, she's a step behind Oldman in terms of consistency because her performance felt forced and overacted at times. She's amazing in the last act of the film though.
I really don't want to agree with what people are saying about Chloe Webb's performance, but I have to now after watching the whole thing. I don't think it really brought the movie down though. I recall this DVD I own of the pistols playing in '78 and how this movie fits the punk atmosphere of it all. Also, I mean, c'mon. Gary Oldman's performance is stellar.