It's been compared to Larry Clark's "Kids," . . . but it's a much less dire and alarmist film. Moselle seems to genuinely like every person who spends more than a minute in front of her lens, and the film takes liberating joy in the sight of young women zipping through traffic on their boards, executing flips, tending to injuries, bantering, and hanging on the backs of buses.
Matt Zoller Seitz
August 10, 2018