Glorious bursts of operatic cinema, not only as a powerful variation of space sci-fi, but also as a big reactionary move towards studio shooting, which has to become a contraption through new stakes. Sadly, the worst part of Cameron is his "humanism", perhaps a Cold War feature, always available for redemption through manifestations of the sublime. My version was missing the aliens' broadcast, and thank god.
It takes a huge amount of time to build a suspense that is not based on goofy personalities and environmental propaganda, but when it does, it turns into a heart-wrenching odyssey with humanism and love entwined in a deepest places of mankind's only home. And it is concluded with the ending where epic scale, stunning visuals and emotionality are all together reaching their peak.
Tapped into my nostalgia for mainstream 80s and 90s cinema's return to Old Hollywood Romanticism. James Cameron pulls off an almost Hawksian tone between the male and female leads, yet never reduces them to outdated gender roles. Unabashedly earnest in its calling for human solidarity, rediscovering this—in 35mm no less!—provided me with a much needed dose of optimism.
After decades of cherishing Cameron, I finally got around to watching "The Abyss", and to my amazement (but not surprise) this is another masterpiece. An important key piece in Cameron's oeuvre, this film contains several major themes and visuals that tie in with his other films, especially "Avatar". A dedicated Ed Harris gives a brilliant performance at the centre of the story, and gives a heart to the whole.
Yeah, the ending is a little much. Everything leading up to it, however, is Cameron showing his true potential. It combines the director's love for the high-octane with the charming sense of youthful wonder that would become more apparent in his later works. Claustrophobic, gritty and wonderfully characterized with a career-best performance from Ed Harris.
This film was directed? At who?. Couldn't find the theatrical cut so had to watch the Special Edition which runs at 2 hours and 45 mins. This film is absolute piece of shit. The first 30mins or so are great at building tension and setting scene, but once it gets into the reveals it's so fucking terrible. Only message i took away from this was cohabiting is immoral but marriage is great.
ok the special effects are really cool and I don't even want to imagine what an effort it was to shoot this thing at that time in this conditions. the visual effects are almost visionary, so you can see past the fact that there some loopholes in the 2nd half (diving in 3000 feet in a tshirt!), the music is horrible (I want synthies!) and it's also quiete cheezy in the end, not to mention the three drama moments.
Si Avatar tuviese la mitad de potencia y genialidad que tiene The Abyss sería una película genial. Este es el James Cameron que tengo tiempo sin ver, incluso puedo reconocer que había algo de esa genialidad en Titanic, pero también habría que reconocer que hace tiempo que no se hacen películas así. Supongo que ahora somos más incrédulos. Totalmente recomendada.