The best thing about this movie is Francella's towering performance, as mesmerising in its own way as Pacino's Michael Corleone. But neither The Clan's stylistic trappings nor its narrative decisions come close to matching him. 2nd-rate music-montage Scorsese numbers are at odds with who the characters are. And Trapero barely scratches the surface of what makes most of the family members tick. A wasted opportunity.
0. It would be hard to find a more deceptive movie from a cinematographic point of view. With an excuse of validation factors (real facts + a review of Argentina's recent history, supposedly linked), are used the most spurious effects (random blurs, a lot of meaningless music to make links, paralel editing absolutely unaesthetic, unethical - see the one between the extortion of a kidnapped and a fuck in a car!).
Cavolo che bella sorpresa! Una storia raccontata alla grande. Anzi, una Storia, visto che si parla del periodo di una Argentina piagata dal dramma dei desaparecidos e lo si fa in un film di genere davvero avvincente che in qualche frangente per montaggio e accompagnamento sonoro (così si inserisce un accompagnamento sonoro, Suicide Squad, non come le entrance del wrestling) ricorda pure il migliore Scorsese.
Guillermo Francella gives a terrifying performance as the patriarch of a family in 1980's Argentina whose profession is kidnapper with the complicity of his clan. Weak supporting turns and scripting issues keep this from being anything special despite a strong ending. There have certainly been many films that better handled the ramifications of the fall of the military junta of the 70's and its effects.