There is always integrity in Pina's choreographed performances, regardless of whether they have a clear content or not, and this is still maintained today by the Tanztheater Wuppertal. That integrity was reflected in this film because from the cast (the dancers), their movements, the pace, the structure of the film, to even the music, all were embedded with Pina's signatory style. You can always tell her presence.
after all those immoral tales of morality, how refeshing and beautiful can be the lack of logic and of talk. it is like going back to the dawn of the avant-garde , which considered the narrative as an abusive excrescence and the attempt at objectivity inside crreation, which is alway subjective, as hilarious. but those are big words. the simple way to put it is: i loved it.