Bresson 2.0. The silence of innocent (coerced) "guilt". The figure of St. Michael embracing Jeanne with both an evil Grim Reaper-like choke-hold & a fake Judas-y clingy viscousness. A post-mod set (hello Dogville?) & vivid, bright, sharp Boschian (maybe Rembrandtian? that red robe, for one) color-galore palette that pops right out of the black background on the Trial scene & a Languian merciless cut to black to wrap.