Digital. To paraphrase Barthes, in "Mythologies", it's an acquired language as theater of life, that is, of life exposed as theater with the spectacle inserted and placed on life, with its own fixed rules of proposition and mythology. It's a freezing act, from which, after all, life is far away and cinema does not enter. It's also an act of contradiction: the naturalization of what can't be. Let's go for Rivette.