Forming new families after death or divorce is never easy, even with the best of intentions, and the problem knows no geographic boundaries. A straightforward, well-acted and perceptive Iranian film that addresses this problem with skill and insight against an exotic background.
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Majidi'nin filmin ilk sahnesinde ve son sahnesinde kullandığı fotoğraf metaforu çok derinlikli ve boyutlu. Çok sıradan bir konuyu, Majidi İran sinemasının umut ekseninde çok da naif bir şekilde ele alıyor.
I liked this movie ... maybe there are a lot of example of this story however director's cinema language is very beautiful. Also I didnt understand how he managed this colour grading in 1996 ... using with light sensitive lenses? some scenes had purple tones.