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Alvin Case's rating of the film The Girl on a Motorcycle

This film represents some of the best examples of 60s personal cinema, without polemic navel gazing. It embodies the Camera Stylo ideals; making the lens the story maker. Cardiff was a master storyteller with the camera and this film demonstrates it with simplicity, historical relevance, and fun. Many cinephiles get drunk on 'serious' films forgetting that true cinema embodies as much complexity and variety as poetry