Feels like a split between Italian Neorealism (with the on location shooting/non actors/dubbing) and Classical Hollywood (melodrama/music/climactic drama). The story is really genuine and heartfelt though at times the rhythm is a bit awkward or unsure of itself. The capoeira scene is one of my favourites. As a side note, I've been to the pelourinho in Salvador... 86/100 - Excellent.
Bunuel would have liked it: a peasant, in order to thank the saint for saving his prize donkey, promises to carry large wooden cross the seven leagues to said saint's church. But the priest calls him heretic, won't let him in. The press gets wind, paints him "New Christ," a crowd gathers. All this chaos is nimbly handled. It only falters at the end, settling for facile symbolism instead of expected revolt.