Truffaut is undeniably the great heir of a non discursive narrative cinema, allusively artistic, romanesque. Maybe that's why his films from literary works or its suggestions, like this film, are among his most remarkable movies: there's a writing larger that its imagery and an imagery deeply inscribed in its writing. This film is a summary of the pictorial and literary qualities that an aching vision may invoke.
I don't think I've ever felt so uncomfortable while watching a movie before, yet so warm and moved. Truffaut made a truly morbid and agonizing love letter to the past, to the incapability of accepting disappointments and looking forward. Almendros' photography is gorgeous as usual and, along Jaubert's incredible music, it creates a beautiful and gloomy atmosphere that won't leave anyone unshaken.
Films of Truffaut were very adorable to me. After watching this all I can say is that I like to worship him. How important it is to treasure up memories and value them with care, generosity and love.Truffaut is one of the truest artists of life with exceptional penetrating insight. Orhan Pamuk's 'Istanbul' mesmerized me recently at such level.
Truffaut,ancora una volta,rinnova ed arricchisce il suo cinema con un'altra gemma,un film sulla memoria e sull'incapacità di elaborare il lutto.Il protagonista(il regista stesso) è un uomo ossessionato dai propri morti a tal punto da rinunciare ai "suoi" vivi ed alla vita stessa per crogiolarsi nelle tenebre dell'ineluttabilità.Campi stretti e carrellate da estasi.Un film originale,da vedere e rivedere.4*
Truffaut himself said of the film: "It's a bit like a declaration of love, and is neither depressing, nor morbid nor sad." Spot on. And therefore a tedious film. And while Truffaut is one of the great masters of cinema, he's not a very good actor. The film suffers from his flat and soulless performance. Nestor Almendros dark cinematography is beautiful though, as usual. (D)
truffaut adds new depths to henry james's parable and carefully tranfers the ephemeral feeling of spirituality from the short story, moreover he does a great job as an actor not overreacting but at the same time conveying every little emotion of his fragile character, but nathalie baye ruins the movie, she is dull and not eccentric enough for the part
This is very much an auteur's film: the green room can be seen as a metaphor for Truffaut's celebration of bygone directors, while his performance is self-critical, depicting a melancholy loner too taken with his own obsessions to connect with other people. The musty brown-and-green cinematography combined with the solemn music contribute greatly to the film's atmosphere, though for me it is not quite a masterpiece.
A beautiful film that has suffered to the purgatory of lack of and undeserving releases. Definitely Truffaut's unseen masterpiece. A beautiful, passionate, and mysterious film that, especially with Truffaut playing his own lead, lays out the directors soul for all to see. Melancholic and uplifting at once. A truly rewarding and unique film experience.