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Ratings & Reviews

  1. francisca bacon's rating of the film The Hassanlou Chalice

    Cinema's deemed a “funerary art” not just because its first accoutrement wore mourning colors – ambrigorous (sic!) black and white, or owing to the life mirage it stages in absentia, but for its easiness to perform thanatocoenosis: assemblages of non-related objects that weren't associated during life and were brought together by accident or purpose, of the heterogeneous kind Aslani gives us here: martyrdom myth, old