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La dernière femme

Marco Ferreri France, 1976

josé neves's rating of the film The Last Woman

35mm, rewatched. I realized now the dimension of representation of this film - a demiurgical work deep inscribed in image's linguistic politicization act. With Luciano Tovoli's glaucously pale cinematography, (con)textualized in industrial and suburban architectures, a film in which the flesh pushes itself into a silent paranoia and gets lost in the intricacies of what resists to it: conscience and its variations.