As Oharu runs grief-stricken through the underbrush when she hears of her lover's death, Mizoguchi's relentless tracking shot, one of many, exalts her desperate, doomed flight from cruel authority. . . . Mizoguchi's limpid heartbreaker is also a fierce denunciation of the subjugation of women, the power of wealth, and Japan's unjust though splendid traditions.
Richard Brody
August 20, 2007