Richard is a classical violinist who’s picked out of a crowd and accused of being a spy just because he wears one red shoe. Soon, he’s mixed up in a dispute between two factions of the CIA, with both sides following his every move.
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Hard to enjoy, with Kline's photography being both bizarre and squalid-- uncomfortable dutch angles, consistent ugly lighting-- despite the value of Newman's score. There's not much else to say, otherwise; "Involves a very silly Tarzan fetish," perhaps?