MUBI brings you a great new film every day.  Start your 7-day free trial today!


Displaying Wall post 1 - 20 of 21 in total
Picture of A47



"When I was young, I thought God had a beard." Is it just me, or is there some bizarre la nouvelle vague influence in this? Very disturbing at points. Too many close-ups. Good production design.The architecture choices are quite interesting. The discoveries of the puppy and the woman sleeping in her car really got me. The cart image is nice. I like the idea of the two-couple psychoanalytical drama more than its execution here. "You have cancer of the soul."

Picture of Mike Archibald

Mike Archibald


Good, but not among the major Bergman-Nykvist collabs IMO. The self-reflexive, formatted narrative is fine--though, as with most of Bergman's avant garde gestures, it carries little conviction compared to the work of his more radical contemporaries--but it precludes the in-the-moment fervor that he needs to complement his morbidity. The sense of psychological horror is more theoretical than anything else.

Picture of Henrique Verkündigung
Picture of Andrei Herea

Andrei Herea


An intricate experiment with form and narrative, up to the point in which it resembles a meta-film. One of my favourite of his. The ending alone is enough to justify the film's unquestionable grandeur.

Picture of Ryan Mulhern

Ryan Mulhern


Did this movie just call me a slut?

Picture of DT



Bergman’s leap to colour gives En passion a unique feel; his quartet as the fractured individuals whose connivings collide, in claustrophobic bourgeois social drama. Meanwhile, the spirit of Persona lives on, its blurring of narrative boundaries: interviews with actors discussing their characters, in lieu of inner monologue; omniscient narration from Bergman himself as author; testing of new colours, shadows, lighting, edits. Bare-naked as psychologia; more intriguing as deconstruction of the filmography, in varied experiment.

Picture of Paul Pastoor

Paul Pastoor


"This time his name is Andreas" A haunting, brilliant final shot!

Picture of lukasbicho



Bergman en estado puro: desde el comienzo ya sabemos que este personaje es un ser torturado, y la aparición de las dos mujeres añade más depresión a su alma. Eso, y las mentiras que no pueden distinguirse de la verdad. Nunca sabremos nada, aislados. Excelentes interpretaciones, fotografía, todo...

Picture of Trolley Freak

Trolley Freak


The protagonists of Bergman's masterly drama are all damaged souls and their pain and miseries are deeply felt and eloquently expressed by a director who had also centred his previous films Hour Of The Wolf and Shame on isolated social groups. The coldness of a bleak winter on a Swedish island is reflected in Nykvist's muted colour photography, appropriate for a film of such icy intensity. Never less than riveting...

Picture of viivahate



loneliness and suffering are so intense that he can turn it to something poetic and beautiful. the final shot was epic, i think i will never forget that part. he's a genius.

Picture of Monsieur Arkadin

Monsieur Arkadin


I think this is one Bergman's most powerful and most underrated films. The final shot is pure cinema, and I think one of the most potent images I've ever seen.

Picture of Joe Hackman

Joe Hackman


Loved this. Loved the composition, the style, the acting. Bergman is amazing.

Picture of ramosbarajas



The self-referential, metaphysical, and modernist aspects of this film show that Bergman was still experimenting even when he had ensured his place on cinematic history. The experimentation- seeing the actors talk about the characters WITHIN the film- is one of the most intriguing moments of his oeuvre. However, these may turn off viewers, who may prefer the religious or existentialist issues of his earlier films.

Picture of Lorna Singh

Lorna Singh


Not my favorite by Bergman,at times frustrating to watch.If there is a film that should not have 'Passion' in the title,this is it.

Picture of All Is Grace

All Is Grace


Great film, but Bergman has better films.

Picture of Checkpoint Charlie

Checkpoint Charlie


Ah, could also be called "Bergman's Love Story", heh.

Picture of Arctvrvs



meta and stuff

Picture of Kurt Öhrström

Kurt Öhrström


Different and interesting.

Picture of HEDONIST



Postmodernist deconstructivism a la personality disintegration... more self-reflective cinema in a strikingly metacinematic period of Bergman's cannon.

Picture of Jared



Some of Bergman's best writing and boldest direction, with solid performances from all, especially Max von Sydow. A dark and beautiful film that perfectly finished the decade of Bergman's finest work.