In spite of Lon Chaney's performance I found the film a bit unsatisfactory and artistically uneven. But there are two great moments: the first demasking of the Phantom and, a real highlight, the colored sequence with the maquerade and Eric's appearance as Death. I also didn't like the music accompaniment with its use of complete classical mouvements (mostly Schubert) mostly without adapting them to the filmic rhythm.
Essential. I love all of Universal's forays into horror/thrillers in the silent age (Cat and the Canary I enjoy a lot for its mixture of scares and laughs), but this is their best. This is the Lon Chaney show and his performance is worth seeking this one out alone. The great moody photography and early use of 2 strip technicolor only heighten the significance of this film. Still holds up to this day. 5 easy stars
La historia de una mujer oportunista y dos hombres obsesionados por esta. "El fantasma de la ópera" es espectral y carnavalesco durante la secuencia en un baile (notable cita a un clásico de E.A.Poe), es gótico y expresionista tras bambalinas o bajo tierra. Es una experiencia macabra sobre la demencia de ese ermitaño hombre, vil mecenas intentando engatusar a una mujer que se adapta a su conveniencia; otra monstruo.
A horror classic that due to the magnificient performance by Lon Chaney stands the test of time. Makeup effects are still extraordinary as is the body language and expression of Chaney. Mary Philbin makes a radiant and expressive Christine. The early use of colour in one scene makes for one of the most memorable entrances in the history of cinema. Much prefer this version to all those that came after.