The Queen’s Monastery is about a woman whose lover, a former acrobat, has returned to her from war a changed man. Using a highly individual watercolor technique the narrative explores themes of love, escapist fantasy, obsession and guilt.
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the watercolor's beauty is in showing the organic support beneath, in making visible the paper fiber through and upon which the pigment spreads in capillaries like a delta, almost alive in its quasi-initiative to escape fixed contour.