After 20 years of exile, Aron returns to Chile to find out who he is. He asks questions, not only of those who stayed behind but also of himself, examining his relationship with his past and his own memory.
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Ambitious with decent production values but frustratingly uneven with a multi-layered screenplay which defuses the poetic intent. The lachrymose tone typified here has given political films a bad name in Chile. Leading man Marcelo Romo would place highly in a Jacques Dutronc lookalike contest. Valentina Vargas always good and Luis Alarcón's drunk spiel never grows old.