An heir of the Free Cinema's style (already when its protagonists had moved away from that), that adapts it to Skolimowski's thematic and fictional free circulation, but by purposely wanting to shuffle and confuse much more in order to incite its premisses, it stresses much more the attention to a borrowed formality that leaves a disappointment about a "second degree" language.
It was really strange exprience & I like strange.very 70's & in a way altmanish. But it felt something missing ؛though the acting is supereb ,especially Alan Bates. There is something in a style that you wish roeg was made this movie.But unfourtunately he wasn't available at the time.
Confounding and in many ways intriguing. I just wish the direction and acting was better cause the story is not very well handled despite tons of potential. What should have been an ominous mystery becomes almost a parody. Good material, poor execution...
sound gets really explored in this film, it's great to see how it evolves both thematically and formally. otherwise hated it. especially Alan Bates' character. instead of getting amazed or scared, i got constantly annoyed by general unconvincingness and exaggeration. dear skolimowski, why why why?
A powerful and truly strange surrealist horror film from director Jerzy Skolimowski. A pervading atmosphere of surreal dread - as well as superb performances by John Hurt, Susannah York, and, particularly, Alan Bates - make what could easily be a completely ridiculous story work as something absurd, but darkly compelling. A cult classic that deserves to be better known.