One of the first terrorists-hijack-something movies and it is also one of the more realistic films in it's genre. It has a good premise and the getaway plan is pretty reasonable. Walter Matthau is solid in a "tougher" role for him. It is tons better than it's glossier remake even if some tension is lost everytime that laughable unlikable mayor character appear on the scene.
I know its a cliche to say this, but they don't make movies like this anymore. The authentic NY atmosphere and speech, the genuine intensity, narrative arch and performances PERFORMANCES. Robert Shaw is chilling, young Hector Elizondo is scary and Matthau...goes from depth to comedy in a split second. Classic.
One of the great music scores of any film, but also one of the best on location films ever. Up there with Dassin's Naked City and French Connection for my money. The cast is impeccable. Everyone is just top notch and gives their characters so much life. Probably Matthaus best non-comedic role, although his face at the end is hysterical. 5 easy stars. Essential 70s classic
Self destroys in the last half hour, being entirely predictable and unrewarding. Walter Matthau knows nothing all the time, but is given a lot of screen time. Some details could expand to social commentary but they never do. I wished the Color Gang won the day against this lame New York.
From David Shire's rollicking opening title theme right to the brilliant final shot of Walter Matthau's expression, The Taking Of Pelham One Two Three puts not a single foot wrong in its entire running time. Infused with a sarcastic New York wit despite the ruthlessness of the criminals involved, it's one of the great American films of the 1970s of any genre. One of my favourites of all time and always will be.
Stone cold classic of gritty, dirty, bankrupt 70s New York. An ensemble almost entirely made up of amazing character actors. Matthau is the kind of every man hero we don't get as much any more. Funky ass score. Love the humor in the denouement. The remake can take it in the dumper.