The legal figures and witnesses Morris interviews are transparently weird, shifty, obsessive and unreliable. Indeed, the movie - immaculately structured, beautifully shot, sensitively scored by Philip Glass - is a poignant and hilarious essay on oddball America. Morris' skill in suggesting that Adams' original trial involved at best a miscarriage of justice, at worst corruption, ensures that the audience becomes a surrogate jury.
Geoff Andrew
June 22, 1989