Finally managed to track this down. A strange tonality throughout, but especially at the beginning. Perhaps a little stilted at times. That said, it was fascinating: the self-destructiveness of the Gould-Andersson relationship and von Sydow's extremely humane performance. I was won over. a 'PLAYFUL' Bergman film, if you can believe it--especially in the editing. I found it all the more interesting for its faults.