The film visualizes the connections between memories, fantasies, expectations and the failures of an individual as he sleeps. It re-invents the visionary aesthetics of the early days of cinema, in the digital age.
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I enjoyed it--it's a decent, dreamy little short, Lynchian in its surrealism and collage of disjointed sounds and images. However, the camerawork isn't quite deliberate enough to be truly startling, as though Ozan Adam couldn't quite decide whether or not to give it a home movie vibe or the polished subjectivity truly found in dreams.