There's something different about his masterpieces. They seem almost effortless. He's a very smart director, but sometimes he gets in his own way. Not this time. The simplicity of the story and the monumental performances have turned this parable into a horror story.
Bergman's atypical films are his most fun discoveries; I'd take Smiles of a Summer Night or Summer With Monika over the angst of Through a Glass Darkly. But this is "typical" Bergman at his best, and as a medieval tale of an elusive god, it may even top The Seventh Seal simply by demonstrating its point through drama instead of monologues. A simple fable, sprouting complex possible meanings from its little details.
Rape and Revenge ante litteram, Bergman riesce a mantenere un livello narrativo semplice, lineare ed estremamente coerente per tutta la pellicola, tanto da rendere quasi superficiali i dialoghi. Paganesimo e cristianesimo si mischiano in uno scenario senza tempo, quasi fiabesco, descritto magistralmente dai giochi di luce e ombre. 5S
I always like Bergman, but this is lesser work. Not to say it’s bad, in fact at times it is astounding, but just by the quality of his best stuff this doesn’t quite match up. Max von Sydow is powerful in this, as he tends to be in most things. As far as Bergman’s musings (that word is not near dark enough) on faith go, look towards the likes of “The Seventh Seal” and “Winter Light” instead.
A masterpiece, one of Bergman's most lasting, influential and radiantly photographed. A timeless tale involving themes such as morality and religion, told through complex, subtlely understated emotions and relationships. Theatrical and stylised at times, Bergman manages to bring all the elements together to create a compelling drama both credible and visually captivating.