The Wedding Night was doomed from the start. It was producer Samuel Goldwyn’s final attempt at making the Ukrainian actress Anna Sten into a Garbo-level star, and his persistence had become something of a Hollywood joke. The Wedding Night became known around town as “Goldwyn’s Last Sten,” but though it failed as a star-making enterprise, it was another sensitively directed drama from King Vidor, detailing an unlikely romance between a dissolute big city writer and a Polish farm girl.
R. Emmet Sweeney
October 30, 2017