Would be interesting to know how Hitchcock viewed religion. Here's a lovely film that shows the the power of prayers--with an obvious Catholic element (rosary, Jesus painting on the wall, etc.) It is also a film that reflects the director's childhood fear of prisons.
By watching this movie, I just knew that director Alfred Hitchcock ever made a movie based on the actual events. THE WRONG MAN is a true story about an innocent man wrongly accused. Hmm, sounds like Mr. Hitchcock favorite theme. No wonder, he has interest to make movie about it. It isn't as good as his other movies. Maybe because it lacks of dramatization. Some audiences might find this movie a little bit boring...
This film is clearly Hitchcock projecting his real-life fear of the police onto the screen. This does mean you get some unnecessarily long sequences of legal procedure, as well as a hammered-in central point. But, mostly, Hitchcock utilizes the real-life story to create a rare suspense film of shocking, utter believability. Overall, its heavy-handedness is overshadowed by its realism and modern relevance.
VERA MILES: Implosion 2 - Like VERTIGO, this film changes focus midway, but in contrast to Stewart's increasing neurosis, here Fonda watches helplessly as his wife slowly fades away. Unlike the conventional use of histrionics to depict breakdown, she just starts to shut down. It's further proof of Hitchcock's discernment that he was deeply impressed with this actress. She would have made VERTIGO even greater.
I've rarely been more disturbed watching a Hitchcock film, even the ending seems wrong and inappropriate in a way. I think the film works perfectly because Fonda, Miles and the kids are so damn likable as the struggling middle class family, and Hitchcock's gift for exteriorizing psychological traits in small details has never been better, not to mention the striking real locations and his unimpeachable film grammar.