Footage of the director’s then-wife, Jane, giving birth to their third child Neowyn, overlaid with painting and hand-scratching. A more abstract variation on the director’s earlier Window Water Baby Moving.
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16mm. Cinema of editing, in which the filming is already itself a particular investigative, memorialist, fractional and fragmentary process, which is articulated sequentially in a more recreational and sensual way than narrative. A film is a joyful thing.