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Jun Ichikawa Japan, 2004

Pál's rating of the film Tony Takitani

I liked how this movie concentrated on just one thing, the life story of its protagonist. The camera constantly sweeping until getting married doesn't let the storytelling stop at some other less important point. It deftly uses the gardrobe as a symbol of intimacy, I've found it to be a marvellous scene when a stranger is led to this secret place.