Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace’s hotel, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other.
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A milestone as far as entertainment as art goes. Every aspect of the film is crafted simply with the intention of light hearted fun but in doing so creates fantasy world that feels unsurpassed even in the face of today's blockbusters. While the art deco design is one of the great set designs in film, it's Astaire and Rodgers who are the auteurs sculpting a dreamlike quality with their mere presence. Masterpiece.
A marriage of music and film, comedy and dance, heart and soul; conveying the character development not through words, but through dance. Each number shot with breath-taking simplicity(the lack of cuts is astonishing), and where Astaire is technical, Rogers is emotive, revealing changing emotions in each movement, and the film wonderfully shows us how, when cheek to cheek, these two are perfect together.
A work of art in countless ways. I'm seduced by the Moderne sets, the impeccable tailoring of everyone's clothes, the way the score cleverly works its way into nearly every scene, the silvery B&W photography, the lighting, the complete rejection of reality. The stars seem very aware they are making a terrific film.