[More like 3.5] Despite being affected by a bunch of akward scenes that probably wanted to be 'akwardly cute', the characters are well created and the tone is light. The content and context aren't random, and focus on the kind of story that Garrel (son) wanted to tell: people that have almost no contact with a life that betrayed them. Farahani's character is the one that awakens the most, and finds a reason to go on.
A generally poor effort featuring the sort of characters who never seem real. Within five minutes the film has already descended into inane melodrama. (And don't miss a dance sequence that is stolen nearly verbatim from Leos Carax!) The one bright spot is an impressionistic scene set in a church, but it lasts for all of two minutes, and after that we're back to the same tired genre clichés.
Watched this a while ago at the Lisbon & Estoril Film Festival with Louis Garrel introduction - I remember enjoying a few scenes of the movie, although in the end the characters felt a little flat and not very empathic or believable. Overall, I remember thinking it was an ok overture for Garrel as a director but not quite as good as I expected at first.
Grosse déception. Adorant Garrel fils, Macaigne et Golshifteh, j'attendais beaucoup.... Et au final j'ai un film très peu inspiré, le perso de Louis Garrel sans réel consistance, Macaigne qui joue encore un désespéré qui s'accroche pour rien, ça devient énervant plus qu'amusant. Peu de moments drôles ou touchants, et rythme bcp trop lent...
FNC '15 One must have a great ability in suspending disbelief to take this French navel gazing tale about two losers in love with a beautiful young woman with a secret seriously. Garrel and co-writer Christophe Honore fail to make these characters believable or for that matter likable. When the entire plot could fall away with one character uttering one line, 'boys I have to get back to...', it really becomes silly.
Des moments de poésie, certes, un jeu touchant également, mais le film ennuie de par son aspect bien trop décousu et son histoire à laquelle nous ne semblons pas être conviés. De même, on a du mal à se dire que ces deux personnages ont vraiment lié un rapport d'amitié, ce qui est dommage étant donné le titre évocateur du film. Décousu et superficiel donc.