An audacious drama that begins with a weird first half (that partially reveals Bunuels fetishes) then flips and reveals his darkly humorous look at religion. It doesn't completely work but when it does it's interestingly cynical and comfortable with it; it's the type of film where a saved stray dog is just one of many and helping the unfortunate (who even hate a "leper") leads to a disastrous dinner.
Essential. Bunuel certainly knew how to push the buttons of the church and the censors and it is still inflammatory today. Wonderful script questioning faith, human nature and blind optimism. Pinal and Rey perfectly cast plus a wonderful group of villians and beggars.
There were some memorable sequences in this film (such as the re-enactment of the Last Supper). However, I found this film to be overall lacklustre and sloppily realised. The plot didn't interest me at all either. It really feels like watching a black-and-white telenovela more than a serious arthouse picture.
This could be my favorite Buñuel! (this or Discreet Charm) It was definitely my most emotional Buñuel experience. I absolutely loved it on every level. The dinner scene at the end is one the most incredible things ever committed to celluloid. This film really managed to absolutely shock me which is getting harder and harder to do! Just absolutely incredible and well shot too! Perhaps one of my new favorite films.
Bunuel clearly admires Viridiana's religious devotion even as he ridicules her Catholicism. He identifies with Rey, though he abhors his entitled social status. He empathizes with the bums, while still revealing their baseness. If this remote estate, with its lonely lord and colony of the downtrodden, has all seemed a bit unreal and out of time, that's because it is. In the end, pop music & gambling & no more ideals.
Es impensable no sentir el respiro detrás de cámara del Sr. Buñuel en cada toma, su marca en el cine y en esta película desnuda toda percepción hecha en el cine mismo, transgresor, delicado, perfeccionista y amante de la verdad, Buñuel muestra en Viridiana algo que no pensábamos que podíamos ver hasta ese momento y por encima de eso, lo hace más que ningún otro totalmente suyo.