A film made around the subjective camera, the vision of a child, and a re-reading of the Henry James novel. The concern is not with reality and appearance but the manner in which these terms come to be constituted.
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A fil(l-in application for)m demanding of its viewers to insert facts of experience in blank spaces, the image as pretext for personal graffito, asking the audience to write out a caption next to the willingly (?) generic frames that always need a finishing blurb to fulfill their stationery role as undivided back postcards. Can’t make up my mind if they are handsome or ugly, naughty or romantic, emotional or cold,