After watching all her children grow up, Rosa begins to feel left out of their lives. She continues to help her four (now-adult) children as they face life’s new problems, ranging from love, marriage, pregnancy, to politics.
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Sentimental urban melodrama. While the late 50s mean a move towards realism in other national cinema, in Mexico we clung to melodrama... So we have some of the same topics like student protests from a less harsh angle. I still love it though.