Robert Curtis always ends up as the clean-up guy for his boss, Broadway producer Martin Cortland. A liar and a cheat, Martin’s caught by his wife while flirting with a dancer, Sheila — so Robert covers for Martin.
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Though at best a competent comedy with dances that are wonderful yet nowhere close to the sublimity of some of the numbers in Swing Time or Top Hat it's still such a pleasure to watch Hayworth dance with Astaire. If Astaire/Rogers were classic yet casual perfection, Astaire/Hayworth are looser, wilder and freer.