After her daughter’s death, Rita returns to the African country of her childhood to investigate the death of Yvone Kane, a former political activist and guerrilla fighter. There, she becomes embroiled in a journey into the past of a land haunted by war and evil.
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A fotografia capta bem a emoção de cada momento, e mesmo não havendo uma especificação geográfica, retrata os recantos africanos de uma forma convidativa. No entanto, o ritmo monótono e uma investigação de que não se percebe bem o porquê, deixam algo a desejar.
It lacks nerve to be instigating or determination to be inquisitive. It's an anemic passive film that results in a "nor-nor" attitude: not about memory - although it seems - nor about the historical process of colonization. Has the dialogues and situations of a banal television drama series accompanied by the brand images of an European "quality" cinema - silences, fixed frames, temporal stability.