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Sils Maria

Clouds of Sils Maria

Réalisé par Olivier Assayas
France, Allemagne, 2014


Vingt ans après avoir connu le succès en interprétant Sigrid, la toute jeune fille qui fascine et conduit au suicide Helena, une femme mûre, Maria Enders, au sommet de sa carrière, est confrontée à cette même pièce, mais de l’autre côté de la barrière. Acceptera-t-elle d’être à son tour la victime ?

Sils Maria Réalisé par Olivier Assayas

Prix & Festivals

Village Voice Film Poll

2015 | Lauréat : Best Supporting Actress

2015 | 2 nominations dont : Best Film

[Stewart] is intriguingly opaque, as if she were resisting the star’s obligation to embrace her audience, to make herself an open book. As such, she’s the perfect partner in mystery for the hardly less opaque Binoche in this cryptic, restlessly circling movie of multiple perspectives—possibly the most intriguing yet from the always unpredictable Assayas.
June 30, 2016
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Clouds of Sils Maria seems to slip, slide, twist, and morph to its ambiguous conclusion. But its nuanced depiction of art making, performance, and power comes into view as clearly as the Maloja Snake—for a few fleeting moments, somewhere in the space between Binoche and Stewart—undeniable and extraordinary to behold.
January 04, 2016
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This is a film about the centrality of the actress. I insist on “actress” just as I insist that it’s crucial to the film’s meaning that all the directors in it are male, and not a sexist accident… This is a film about the relationship between the female actor and the male writer/director, which tracks the structural inequalities that prevent the character from realizing what the film itself ultimately proves for the actress: that she has the power to create her own meaning.
October 22, 2015
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